![]() ![]() Nevertheless, it makes for an enthralling listen, with many classics, such as the elegant "Lay Lady Lay," performed at a galloping tempo that evokes the excitement of the live event. At root, such alterations may be necessary for Dylan to avoid tiring of his own songs. Comprised mainly of Dylan classics but also boasting a smattering of compositions by The Band, the album is an insight into the future Nobel Laureate's growing penchant for transforming his classic songs and twisting them into new forms. The two acts embarked on a much-anticipated live tour, of which 1974's "Before the Flood" is a striking artifact. Impressively, Parton claims that "Jolene" and "I Will Always Love You" were written on the same day, proving lightning can strike twice. For her version, Houston won the Grammy for Best Pop Vocal Performance in 1994. Some 18 years after its release, "I Will Always Love You" became a new worldwide smash - and one of the bestselling singles of all time - when Whitney Houston covered it for "The Bodyguard" soundtrack in 1992. This said, the album's other hit, the soaring ballad "I Will Always Love You," is the song that perhaps impacted Parton's fortunes even more, though it took some years for it to happen. Amazingly, it garnered Parton two Grammy nominations for Best Country Vocal Performance in separate years: 19. The title track, an uptempo number in which the narrator begs the title character to "please don't take my man," was actually only a middling hit at the time of its release but has since become one of Parton's signatures, despite its now rather outdated view of gender dynamics. In 2022, Mitchell withdrew her material from the platform in solidarity with Neil Young, who opposed the addition of "The Joe Rogan Experience" as an exclusive podcast. But despite its classic status, Mitchell's masterpiece remains off the world's largest streaming platform, Spotify. 2 on the Billboard chart and going double platinum. It remains a fan favorite, with "Free Man in Paris" considered one of Mitchell's greatest songs. The album was a striking success, hitting No. The themes of love, passing relationships, and freedom remain present for the album's duration, while Mitchell opens up her musical palette to create catchy hits with numerous jazz flourishes provided by a newly assembled team of supporting musicians. Opening the album is the stark title track, "Court and Spark," a ballad about feelings of ambivalence when it comes to pursuing love. That year, Mitchell made a major contribution to her oeuvre in the form of "Court and Spark," a progressive album that pushed her beyond her folk roots both thematically and musically. Her follow-up to "Blue" and "For the Roses" came in 1974. ![]()
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